01. 薔薇に彩られた悪意と悲劇の幕開け (Bara ni Irodorareta Akui to Higeki no Makuake)
02. 聖なる刻 永遠の祈り (Seinaru Toki Eien no Inori)
03. 虚無の中での遊戯 (Kyomu no Naka de no Yuugi)
04. 鏡の舞踏 幻惑の夜 (Kagami no Butou Genwaku no Yoru)
05. 真夜中に交わした約束 (Mayonaka ni Kawashita Yakusoku)
06. 血塗られた果実 (Chinurareta Kajitsu)
07. 地下水脈の迷路 (Chikasuimyaku no Meiro)
08. 破誡の果て (Hakai no Hate)
09. 白い肌に狂う愛と哀しみの輪舞 (Shiroi Hada ni Kuruu Ai to Kanashimi no Rondo)
10. 再会の血と薔薇 (Saikai no Chi to Bara)
Biography:
Even in the flamboyant world of Japanese visual kei, Malice Mizer managed to stand out. They were the most theatrical, ambitious, and romantic band of the pack, both in their shows and professed philosophy, as well as music, which, despite its commercial aim, incorporated elements from darkwave, metal, techno, classical music, synth pop, and early gothic rock. Their career was short and tumultuous, if successful, but perhaps that`s only appropriate, considering that the band`s name -- made of French words for "malice" and "misery" -- stands as an answer to the question "What is human?"
The band was founded in 1992 by guitarists Mana and Kozi, whose views on humanity, malice and misery were then shared by Tetsu (vocals), Yu
